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Section 2 of Issue 6 is a video essay that investigates the formal themes of the MDF Trilogy: Assault, Princess Margaret Blvd., and Out in that Deep Blue Sea. These three shorts, directed by MDFF‘s…

Section 4 of Issue #6 is an in-depth interview with director Nicolás Pereda. Nicolás Pereda is a Mexican-Canadian filmmaker whose films have been taken up as a talking point by a number critics on subjects…

Portuguese filmmaker Pedro Costa began work on Ossos (1997) after receiving a bundle of letters from residents of Cape Verde, the former Portuguese colony and setting of his previous feature Casa de Lava (1994). The…

The latest issue of The Seventh Art features a brief conversation with photographer and documentary filmmaker, Lauren Greenfield. Greenfield’s latest film, The Queen of Versailles, has been generating headlines lately, both for its theatrical success,…

PETER BOGDANOVICH is a legendary filmmaker whose career began in a similar fashion to our own project: interviewing filmmakers in a thorough yet conversational manner. His relationships with Ford and Welles, among others, have yielded…

KinoSmith is an independent Canadian film distribution and marketing company that works closely with domestic and international producers, distributors and sales agents in presenting diverse works to the Canadian market. Notable releases include the box…

PATRICIA ROZEMA is a Canadian filmmaker whose extensive contribution to Canadian film history includes winning the Prix de la Jeunesse at Cannes in 1987 for her debut film, I’VE HEARD THE MERMAIDS SINGING. Her directorial…

BRUCE MCDONALD is a Canadian filmmaker based in Toronto who has directed ten feature films (THE TRACEY FRAGMENTS, PONTYPOOL, TRIGGER), several television shows (TWITCH CITY, QUEER AS FOLK, DEGRASSI: THE NEXT GENERATION) and a handful…

Section 2 of Issue 2 is a video essay on the motif of seeing (things differently) in the 2011 film Moneyball. Essay written and edited by Christopher Heron and narrated by Johnny Bola. Note: Most…