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CONTEMPT and DIVA (Video Essay)


A video essay on Jean-Luc Godard’s Contempt (Brigitte Bardot) and Jean-Jacques Beineix’s Diva (Wilhelmenia Fernandez), and how they exemplify the modernist interest in the real vs. the classical ideal and the postmodern skepticism towards the existence of the real, respectively. The essay was written by Jimmy Weaver, edited by Christopher Heron and narrated by David J. Phillips.

[evp_embed_video url=”http://theseventhart.org/wp-content/uploads/videos/Contempt-Diva.mp4″ ratio=”0.56″]

This video essay was first published in April of 2013.

Works Cited

Aumont, Jacques. “The Fall of the Gods: Jean-Luc Godard’s Le Mépris.” French Film: Texts and Contexts. Ed. Susan Hayward and Ginette Vincendeau. New York: Routledge, 2000. 174-188.

Austin, Guy. Contemporary French Cinema. Manchester: Manchester UP, 1996.

Bassan, Raphael. “Three French Neo-Baroque Directors: Beineix, Besson, Carax, from
Diva to Le Grand Bleu.” The Films of Luc Besson. Ed. Susan
Hayward and Phil Powrie. Manchester: Manchester UP, 2006. 11-22.

Bersani, Leo and Ulysse Dutoit. Forming Couples: Godard’s “Contempt”. Oxford:
Legenda, 2003.

Cohen, Alain J. “Godard/Lang/Godard: The Film Within the Film.” The American Journal of Semiotics, 9.5 (1992). 115-130.

Flitterman-Lewis, Sandy. “Varda in Context: French Film Production in the Early Sixties-the New Wave.” To Desire Differently. New York: Columbia UP, 1996.

Forbes, Jill. The Cinema in France After the New Wave. London: BFI, 1992.

Foster, Hal. The Return of the Real. Cambridge: MIT P, 1996.

Harris, Sue. “The Cinéma du Look.” European Cinema. Ed. Elizabeth Ezra. Oxford: Oxford UP, 2004. 219-233.

Jameson, Fredric. “Diva and French Socialism.” Signatures of the Visible. London: Routledge, 1990. 75-85.

King, Homay. Lost in Translation: Orientalism, Cinema, and the Enigmatic Signifer. Durham: Duke UP, 2010.

Kehr, Dave. “Gods in the Details: Godard’s Contempt.” Film Comment,
33.5 (Fall, 1997), 18-24.

Kovacs, Andras Balint. Screening Modernism: European Art Cineam, 1950-1980. Chicago: University of Chicago Press, 2007.

Paige, Nicholas. “Bardot and Godard in 1963: Historicizing the Postmodern Image.” Representations Fall 2004, 88: 1-25.

Powrie, Phil. Jean­Jacques Beineix. Manchester: Manchester UP, 2001.

Silvermen, Kaja and Harun Farocki. Speaking About Godard. New York: New York
University Press, 1998.

By The Seventh Art

The Seventh Art is a Toronto-based online magazine about cinema founded in 2012, with a focus on in-depth interviews with filmmakers.