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Albert Serra Interview (Liberté)

Albert Serra is a Catalan filmmaker whose films have explored themes of literary adaptation, formalism, history, and the combination of the artificial and the natural. His latest feature, Liberté (2019), premiered at Cannes where it won Un Certain Regard’s Special Jury Prize.

Ben Rivers Interview (Krabi, 2562)

Ben Rivers is an English filmmaker whose latest feature film, the hybrid documentary Krabi, 2562 (2019), is a collaboration with acclaimed Thai filmmaker Anocha Suwichakornpong commissioned by the Thailand Biennale.

Amy Seimetz Interview (The Girlfriend Experience)

Amy Seimetz discusses the second season of The Girlfriend Experience (2016), which she co-directs with Lodge Kerrigan. The series, produced by Steven Soderbergh, changes its characters for the second season and sees Amy and Lodge directing separate stories, bifurcating the narrative with each one having its own unique aesthetic.

Kris Avedisian Interview (Donald Cried)

Kris Avedisian discusses his debut feature film, Donald Cried (2016), which explores the relationship between the chaotic Donald and the straight-laced Peter, two old friends that are unexpectedly forced to spend time together when Peter is stuck back in his hometown and tensions over their past are uncovered. We talk about Avedisian’s dual roles as actor and director, the aesthetic of the film, the difficulties of making comedies, and his writing process.

Nikolaus Geyrhalter Interview (Homo Sapiens)

Austrian documentary filmmaker Nikolaus Geyrhalter discusses his latest film, Homo Sapiens (2016), a fictional documentary that depicts the empty spaces of our world after humans are gone. These real spaces are linked in static shots that are grouped thematically, as sound and subtle movement texture these decaying and calmly depeopled totems to civilization.

Sean Baker Interview (The Florida Project)

Sean Baker discusses his latest film, The Florida Project, a sensory-driven, DayGlo look into the world of families living in motels in the economic shadow of Disney World. We discuss the film’s production, motifs in his films, and realism v. convention in Hollywood filmmaking.