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Oshima’s THE MAN WHO LEFT HIS WILL ON FILM (Video Essay)

This essay investigates the role the city plays in this political discourse in Oshima’s The Man Who Left His Will on Film, where the tension is deliberately set against its urban backdrop, which seems to offer the circumstance that allows these student protesters to meet, develop their ideas and form their resistance. However, the urban… Continue reading Oshima’s THE MAN WHO LEFT HIS WILL ON FILM (Video Essay)

Issue 11 (Matías Piñeiro, João Pedro Rodrigues & João Rui Guerra Da Mata, Pinewood Toronto Studios and a Nagisa Oshima Video Essay) is now available!

We can’t wait for you to see our 11th issue, which includes some of our very favourite filmmakers. Our two interviews in this issue are with filmmakers who made two of the best films of last year (corroborated by Cinema Scope‘s top ten list) and who were equally charming, insightful and funny when we talked… Continue reading Issue 11 (Matías Piñeiro, João Pedro Rodrigues & João Rui Guerra Da Mata, Pinewood Toronto Studios and a Nagisa Oshima Video Essay) is now available!