This brief nonfiction piece is concerned with examining the continuing domination of digital-format movies in the world of contemporary film culture, but rather than attempt any grand declarative statements or overarching messages about ‘the state of cinema today’, it instead provides a more personal account of such changes from the perspective of projectionists themselves. The documentary is edited as a stream of short snippets, making for a flurry of thoughts and feelings — mostly negative — from those that deal most directly with the technical ramifications of what now seems an inevitable changeover in how cinema is experienced in public settings.