The Argentine filmmaker discusses his latest film, Hermia & Helena (2014), based somewhat on William Shakespeare’s play, A Midsummer Night’s Dream. It follows an artist travelling from Buenos Aires to New York City for a fellowship for her work translating the Shakespeare play into Spanish. We discuss the formal drive behind the film, experimentation, and his upcoming collaboration with Lois Patiño.
The Argentine filmmaker discusses The Princess of France, the latest in his loose adaptation of William Shakespeare’s comedies, this one based on Love’s Labour’s Lost.
We are finally able to announce our jam-packed 13th issue! It’s another all interview issue, kicking off with the last of our Toronto International Film Festival conversations: a discussion with New German Cinema legend Margarethe von Trotta about her latest film, Hannah Arendt. Continuing on the path of significant women directors, we were thrilled to talk… Continue reading Issue 13 (Paul Schrader, Margarethe von Trotta, Barbara Hammer and Matt Johnson & Matthew Miller [THE DIRTIES] Now Available!
Matías Piñeiro is an Argentinian filmmaker who has directed three feature films and one 40-minute short, which was commissioned for the Jeonju Digital Project. His first two films, The Stolen Man (2007) and They All Lie (2009), introduce the games played with narrative, the engagement with the relationship between film and literature, and the interest… Continue reading Matías Piñeiro Interview (Viola)
We can’t wait for you to see our 11th issue, which includes some of our very favourite filmmakers. Our two interviews in this issue are with filmmakers who made two of the best films of last year (corroborated by Cinema Scope‘s top ten list) and who were equally charming, insightful and funny when we talked… Continue reading Issue 11 (Matías Piñeiro, João Pedro Rodrigues & João Rui Guerra Da Mata, Pinewood Toronto Studios and a Nagisa Oshima Video Essay) is now available!