The Argentine filmmaker discusses his latest film, Hermia & Helena (2014), based somewhat on William Shakespeare’s play, A Midsummer Night’s Dream. It follows an artist travelling from Buenos Aires to New York City for a fellowship for her work translating the Shakespeare play into Spanish. We discuss the formal drive behind the film, experimentation, and his upcoming collaboration with Lois Patiño.
The Argentine filmmaker discusses The Princess of France, the latest in his loose adaptation of William Shakespeare’s comedies, this one based on Love’s Labour’s Lost.
Matías Piñeiro is an Argentinian filmmaker who has directed three feature films and one 40-minute short, which was commissioned for the Jeonju Digital Project. His first two films, The Stolen Man (2007) and They All Lie (2009), introduce the games played with narrative, the engagement with the relationship between film and literature, and the interest… Continue reading Matías Piñeiro Interview (Viola)